Judith’s Blog

Discover Judith’s blog posts about life, art, myth and culture.  Get started with two of her all-time favorites posted here.  Then click on “Judith’s Blog” at the top menu bar to see others.

The Reindeer Goddess – first published Dec 18, 2016

Winter Solstice in the Northern Hemisphere is the day of the least daylight and the longest night. Long before Christmas our Northern European ancestors celebrated the Winter Solstice, the moment that heralds the return of the sun and with it the promise of new life in spring. Without the comforts offered by modern technology, this time of year must have raised fears in the hearts of our ancestors; fear that the sun would not return to its summer glory, fear that there would not be enough food for the winter, fears that surface most easily in the dark. A celebration of light would have been most welcome and needed.

The longest night was called “Mother Night” as it was during this time that the Goddess worked her magic to nurture the seeds laying dormant in the dark womb of earth so that new life could emerge in spring. It is a time to celebrate the eternal cycle of life, death and rebirth.

Many of the elements associated with Christmas have their origins in our Goddess worshipping past: evergreen trees, holly, mistletoe, the wreath, lighting candles, and yes even our favorite Santa Claus and his reindeer who both have their origins in Northern European Sun Goddesses.

Saule, the Lithuanian and Latvian goddess of light and the sun, took to the skies on the Winter Solstice in a sleigh pulled by horned reindeer.  She journeyed with the aide of Her smith, who forged a golden cup in which to catch Her tears which then transformed into amber. During Her flight through the heavens she threw these pebbles of amber, like little bits of sun, and apples down to the world of humans below.  She was a spinning Goddess who used her skill to spin the rays of sunlight onto the world.

Saule, Sun Goddess painting by Judith Shaw

                                  Saule, Sun Goddess, gouache on paper by Judith Shaw

Saule ruled all parts of life, determining life, death and the well-being and regeneration of all.  She was the sun, riding every day in Her chariot across the sky. She also welcomed the souls of the recently departed into Her apple tree in the west.

Sami children with reindeer

Photo location: Jokkmokk, Swedish Lapland. Photo by Joyce Le Mesurier/National Geographic Photo Contest

Beiwe was a Sun Goddess of the Sami or Lapps, the indigenous people of the Nordic countries. The Sami were reindeer herders who relied on the reindeer for their survival. Beiwe, Sun Goddess, nourished them and their herds and helped Her people maintain mental health during the difficult months of darkness. She flew through the heavens with her daughter, Beaivi-nieida (sun maiden) in a ring of reindeer antlers flinging fertility and life back onto the land. On Winter Solstice Her people  smeared offerings of warm butter on doorposts to help Her gain strength for her flight high into the sky. Beiwe, like Saule was associated with spinning. Spinning wheels and flax were left as offerings on Her altars.

The Norse goddess, Frigga (Freya) was also a spinning goddess. She sat at her spinning wheel during the Winter Solstice weaving the fates of the year to come. This celebration was called Yule, from the Norse word for wheel. Christmas is often called Yule or Yuletide. The Christmas wreath was adapted from Frigga’s “Wheel of Fate,” symbolizing the cyclical nature of life.

Rozhanitza, Slavic Winter Goddess is also associated with reindeer and the Winter Solstice. She is Rozhanitsa, Deer Goddess embroiderydepicted as a horned Goddess with reindeer antlers. Folk art of red and white embroideries were made of Her for solstice celebrations. On Her feast day, December 26, cookies made in the shape of deer were given and eaten for good luck.

Reindeer are the only members of the deer family whose females have horns and are stronger and larger than the males. The males shed their antlers in winter, leaving it to the Deer Mother to fly through the long, dark night of Winter Solstice. The Reindeer was a sacred animal to our ancient ancestors of Northern Europe. The doe was seen as the giver of light and life. Their horns were associated with the tree of life and often times they were depicted carrying the sun, the giver of life, in their horns.

Reindeer Goddess, painting by Judith Shaw

                                             The Reindeer Goddess, gouache on paper, by Judith Shaw


Deer Stones, Photo by Karin Sofie

Esther Jacobson in her book, The Deer Goddess of Ancient Siberia, concludes that the deer images found throughout the early nomadic and semi nomadic cultures of the vast steppe and mountainous regions of Eastern Europe and Asia are evidence of a Deer Mother as the source of life and death. Monolithic “Deer Stones” are found through out this region, carved with stylized depictions of reindeer as if in flight.

Horned Goddesses are found in the Celtic world also. Elen of the Ways, in Her most ancient form was the Guardian of the Leys, the ancient track ways. In Her guise as the Horned Goddess, She led the way on the migratory tracks of the reindeer.

With time the reindeer became the deer in many Celtic myths. Elen of the Ways also opened the pathways for the red deer in the forests of Northern Europe. Flidais was associated with the deer who she milked to provide sustenance for Her people.  As more time passed the deer became the cow. From Brigid to Boann, many Celtic goddesses are associated with a sacred cow.

We can learn from the wisdom of the past, a time when humans understood more clearly our tiny part in the cosmic web of life. and the necessity of honoring the earth and all its life. At this time when the shadow side of human nature once again seeks dominance through naked self-interest and the promotion of fear and hatred of others, let us remember and honor the Ancient’s belief in the Reindeer Goddess, the Sun Goddess and the Mother’s Night when She both flies high in the sky and dives deep into the earth to nourish and promise a renewal of life in the coming spring. Though it may be dark now, the light will return.

Sources: Gather- Wild Food/Magical CookeryShamanic DrumWinter Goddesses and TraditionsWe Are Star Stuff,


The Mysterious Art of Painting and the Tree of Life – first published September 7, 2011

sacred geometry tree of lifeSometimes I  wonder how the paintings I paint finally emerge into the world.  It’s a back and a forth, a finding and a losing; ultimately there’s an image that remains. Later I ask myself  “Where did that come from?”  At times I feel I’m a channel through which these images flow.  I always have to remind myself to sign my paintings, as I’m never sure that they are truly “mine”.

I recently finished a painting which illustrates the mystery in which a painter can find herself.  After the painting, The Olive Tree, sold I went into mini-mourning, feeling it’s absence in my home.  A new tree called to me, the Tree of Life.

I dove into this painting.  Not sure what form it would take, I first envisioned it as full, full, full of foliage. And so it started .  But soon after, I felt the need to lose much of the foliage, anguishing that I was letting go of painting a tree of life.  Then I added the Seed of Life embedded underneath the middle of the tree

More foliage was lost and the stylized leaves made their appearance.  By this time I was in an unstoppable rhythm.  With each new color or form I added to the painting, it spoke to me, telling me what was needed next.  Once again the thought “what would would make this a Tree of Life” surfaced within my rhythm.

The Tree of Life is one of the most ancient symbols of the awareness of the one source, the descent of the divine into the manifest world, and methods by which the divine union may be attained in this life.  It symbolizes unity and love. The structure of the Tree of Life is connected to the sacred teachings of the Jewish Kabbalah but can be seen 3,000 years earlier in Egypt, as well as being found in Christianity, Hermeticism and Paganism.

I decided to do an internet search for a Sacred Geometry symbol for the Tree of Life.

Flower of Life

Seed of Life

Kabbalah Tree of Life

The symbol of the Tree of Life is derived from the Flower of Life. It is composed by highlighting ten  centers of the circles of the Flower of Life and the Seed of Life.  Along with the Seed of Life, it is believed to be part of the geometry that parallels the cycle of the fruit tree. This relationship is implied when these two forms are superimposed onto each other.

A quick sketch of these two forms together and I was back at my easel.  I added the circles that make up the Tree of Life in the correct places on the Seed of Life, whose further expansion implies the Flower of Life.   I stepped back from my canvas in amazement.  The branches of the tree in my painting were crossing intersection points, the circle centers, on the Seed of Life, exactly where the Tree of Life circles were added.

sacred geometry tree of lifeOnce again I asked myself, who is really in charge here.  Without consciously knowing what I was doing I had already positioned this tree correctly to be a true Sacred Geometry Tree of Life.  Very mysterious, wouldn’t you say?